Special Online Feature: The Scouring

Caitlin Neal-Jones

Editor’s Note: Louisiana Literature is proud to publish the winner of the Southern Screen Festival’s 2023 Writing Contest as an Online Special Feature. This story will also appear in our Fall 2024 issue (due out in October).

The house was all she had, and she was the homeowner. During the course of her life she had accomplished little to nothing. She had attended school until she realized that she had no aspirations beyond daily subsistence and left when she was 16. She never developed any real friendships. Her family lived in the farmhouse far outside of the town and kept to their own in an austere, unwelcoming way. At 18, she said “yes” to a boy from church who offered her a ring, but after several days of disapproving silence from her mother she reneged on her acceptance. Decades passed as she lived in her family’s farmhouse, sharing the quotidian chores with her parents. Later, she became her parents’ caretaker. And when they both died during a long, brutal winter, she became the homeowner. And the house was all she had. 

She filled her days with a melancholic perusal of the contents of the house – cataloging memories, trying to capture shadows of feelings that had long since passed. Time made her weary but she rose after each rest with an intractable compulsion to resume the search. She assumed that whatever it was that she sought would resonate with her the moment she found it. She peered underneath furniture, opened albums, and rummaged through the steamer trunks in the attic. She pulled frames off the walls and loosened cinder blocks in the unfinished cellar. Years passed and the homeowner grew weaker and needed longer and more frequent rests. But with no husband, no children, no vocation, she had time for the search and it consumed all of her waking hours. 

At some point the homeowner became aware of other presences in the house. At first there were only small, dismissible phenomena –  voices carrying from distant rooms, lights turning on and off, stairs creaking. But soon the occurrences became frequent and intrusive. One night as she searched the attic she heard the sound of children running and playing in the rooms below. On another occasion shortly after, she entered the kitchen and stubbed her foot on a chair which made a startling thud as it toppled over. She realized with horror that the entire dining set had moved several feet from its original placement. 

The homeowner recalled her grandmother once telling her how the living and the dead could live side-by-side, occupying the same space but not seeing each other, as if separated by a gossamer veil. This was the first time she contemplated the continuance of the soul outside its body and that there were options for a soul other than heaven and hell. The homeowner balked at the idea of sharing the house- her inheritance- with any interloper, alive or dead. The search must continue and anything that hindered the search must be stopped.

A woman claiming to have an extrasensory ability arrived. She blew into the house with the sound of chimes and the smell of exotic herbs. The woman pushed back the rug and sat cross-legged in a lopsided salt circle she drew in the middle of the parlor. The psychic lit candles and rang bells, reciting unnerving incantations as she swayed inside the salt circle. She laid out cards with bizarre occult images and invited the restless spirits to speak. The homeowner watched bemused from outside the salt circle and smirked at the pageantry. The psychic proclaimed that a roaming spirit was attached to the house, and that the spirit itself was haunted by regret, by loss, by emptiness. A few weeks after the charlatan tried her tricks, a priest arrived. He filled the house with pungent blue smoke and invoked the names of deities while the homeowner hid in the corner. The priest prayed for eternal rest for the spirits of the departed, and the homeowner felt a pang of longing for her own rest. 

The priest and the flimflam woman were unsuccessful, and the living and the dead continued their disquieting dance on either side of the veil. Eventually, the homeowner negotiated an unspoken truce with her cohabitants. Since she and they seemed to operate on opposite sides of the clock, the homeowner was able to hide and repose in a room of the house until the voices and movements from the other side settled and then she could resume her searching and rambling while the others rested. It seemed that the attic was generally safe from all intrusions and the homeowner would often retreat there. 

It was a bleak day in late December when the homeowner rose for her search and felt drawn toward the attic. As she entered, she was met with an astonishing sight. Two girls around 9 or 10 years of age stood clad in their white cotton nightgowns, glowing iridescent in the winter moonlight streaming through the attic window. The girls were giggling and chattering with each other, and examining objects in their hands. One of the heavy steamer trunk lids stood ajar and its contents – dresses and hats and jewelry- were strewn across the attic floor. The children were draping the antique necklaces around their necks and stacking rings onto their small fingers, delighted with their newfound treasures. The moonlight struck a facet in one of the rings.

The emerald ring. She found it. The emerald ring the boy had proposed with decades before- perhaps even a century. The homeowner had wanted to be buried in the ring, but there was no will, nor executors. When they had found her body rigid and decaying in her bed, she had watched them wrap and remove her corpse, leaving the treasured ring abandoned and severing her last physical tie to the house. But her spirit remained, and the search commenced.

The homeowner was overwhelmed with an anger and power that she had never felt before. Heat flowed through her– the heat that turns cheeks red, and tightens the chest, and brings tears to the eye. It was the heat of regret, and shame, and impotence of bodily demise. The homeowner channeled this anger into a corporeal form composed of dust and ether and moonlight. She floated in the air, a few feet above the wooden floor. The two living children stood frozen, mouths agape in silent shrieks. The homeowner reached out a cold, white hand and in one swift movement snatched the ring from the child’s finger. As she hugged the ring to her chest, the children recovered from their frightened paralysis and ran screaming from the attic.

After that night, her search was over. The homeowner felt a soul-deep sense of relief. The confrontation had also exhausted her energy. She found a bed and settled into a long rest. The next time the homeowner stirred, she sensed a change in the house. She wandered for an entire night and day, but she heard no noises besides the occasional mouse in the walls, and the starlings nesting above the attic. It seemed that she was once again utterly alone in the house. 

***

Caitlin Neal-Jones hails from the Appalachian region of East Tennessee where the deep hollows and cold mountain shadows fed her love of horror fiction. At age 15, Caitlin received her first literary accolade when she won an English class writing competition with a short story about a fictionalized version of her favorite bluegrass band encountering the locally mythicized Brown Mountain Lights. Caitlin has been fortunate to call Louisiana her home since 2016. She’s proud to be part of a vibrant and growing writing scene in Lafayette with organizations such as National Writing Project of Acadiana and Acadiana Scribes. When she’s not writing, Caitlin can most often be found haunting Reve Coffee Roasters or Beausoleil Books in downtown Lafayette. 

New Release Announcement Vivian Shipley

Louisiana Literature Press is proud to announce the publication of Vivian Shipley’s poetry collection, Slow Dancing with the Dark.

The book is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Slow Dancing with the Dark

Ghost Apples

Like my sister’s robe in my closet keeping
shape of the body that wore it,
crystal shells of Granny Smith
dangle from branches. Icing on contact,
rain has cocooned these apples
leaving a frozen skin clinging to trees.

Turning to mush before the clear shells
defrost, pulp oozes through creating
globes that haunt the tree. When I shake
them loose, the glassy shrouds shatter,
no flesh left to bruise unlike my sister
whose brain tumor rotted the stem
holding her body to this world.

Cremated, I buried her ashes
in the ground. Still unable to cry,
unshed tears may freeze, dissolving
grief inside me that can rot then slip
away and melt into this earth.

About Our Author

Connecticut State University Distinguished Professor Emeritus, Vivian Shipley’s 13th book, Hindsight: 2020 (Louisiana Literature Press, SLU, 2022), was awarded the 2023 Paterson Poetry Prize for Literary Achievement. She won a 2023 Samuel Washington Allen Poetry Prize from NEPC and was awarded a 2020-21 CT Office of the Arts Poetry Fellowship, won the 2020-21 Poet Hunt from The MacGuffin and was Rattle’s October 2020 Ekphrastic Challenge. Nominated for the Pulitzer Prize, her 12th book, An Archaeology of Days (Negative Capability Press, 2019) was named the 2020 Housatonic Book Prize for Poetry Finalist. The Poet (Louisiana Literature Press, SLU) and Perennial (Negative Capability Press) were published in 2015. All of Your Messages Have Been Erased, (Louisiana Literature Press, SLU, 2010) won the 2011 NEPC’s Sheila Motton Award, the Paterson Award for Sustained Literary Achievement, and CT Press Club’s Prize for Best Creative Writing. Her sixth chapbook is Greatest Hits: 1974-2010 (Pudding House Press, Youngstown, Ohio, 2010). She has received the LOC’s CT Lifetime Achievement Award for Service to the Literary Community and a CT Book Award for Poetry two times. Other poetry awards for individual poems include Steve Kowit Prize for Poetry from San Diego Arts & Entertainment Guild, Hackney Literary Award, PSA’s Lucille Medwick Prize, Robert Frost Foundation Poetry Prize, USC’s Ann Stanford Poetry Prize, William Faulkner Society’s Marble Faun Poetry Prize, NEPC’s Daniel Varoujan Prize and the Hart Crane Prize from Kent State. Raised in Kentucky, a member of the University of Kentucky Hall of Distinguished Alumni, the highest award the university can bestow on an alumnus, she has a PhD from Vanderbilt University and lives at Morgan Point and North Haven, Connecticut with her husband, Ed Harris.

For further information, visit her website: Vivianshipley.net

 

New Release Announcement Joel Ferdon

Louisiana Literature Press is proud to announce the publication of Joel Ferdon’s poetry collection, The Arsonist’s Son.

The book is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From The Arsonist’s Son

 Mind the River Rocks

 Paddle down the cottonmouth 
red river divine watch the strongest 
pull catfish from clay-colored Yadkin 
width of a yardstick to South Yadkin fork 
egret land—heron waves and face shadows 
sweat is the most primal of tastes 
on days made of river water. 
at least the current chose us 
when we had paddle-up 
found muscles & memory intact 
howled words and yearn for drink. 
if you knew that day that your lead 
taking up the end had river rocks 
jutting around his mind, would you 
tell him to free float until the end?

About Our Author

 

 Joel Ferdon’s chapbook, Elegy for My Father’s Bones, was published by Louisiana Literature Press in 2016, and his poems have appeared in Verse Daily, Asheville Poetry Review, Flyway, The Southern Quarterly, Cold Mountain Review, storySouth, Louisiana Literature, and elsewhere. Joel is the recipient of two Artist Support Grants through the North Carolina Arts Council, has been a contributor at the Sewanee Writers’ Conference, and nominated for a Pushcart Prize. Joel is a librarian, teacher, and records professional working and living a simple life in Charlotte, North Carolina, with his wife, son, and three black labs.

New Release Announcement Alex Stolis

Louisiana Literature Press is proud to announce the publication of Alex Stolis’s poetry collection, Postcards from the Knife-Thrower’s Wife.

The book is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Postcards from the Knife-Thrower’s Wife

 August 3 - Edmundston, N.B. Canada

Disregard my last letter. If you have not yet received it 
bury it away when you do. Ive tried to stop loving you. 
Its an impossibletask. Miles and time sharpens 

every memory. You would no longer recognize the land 
but thesky is thesame. Ilook up at your moon and your 
stars. Imagine a blanket of quiet descends on us. I close

my eyes, can almost hear nothing. Im an experiment in 
exile. Wedont ever really lie. We believe and then find 
out later wewerewrong. 

About Our Author

 

 Alex Stolis lives in Minneapolis; he has had poems published in numerous journals. His full length collection, Postcards from the Knife-Thrower was runner up for the Moon City Poetry Prize in 2017. Two full length collections Pop. 1280 and John Berryman Died Here were released by Cyberwit and available on Amazon. 

New Release Announcement Beth Gordon

Louisiana Literature Press is proud to announce the publication of Beth Gordon’s poetry collection, Crone.

The book is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Crone

Crone

After I was no longer the mother of my children the trees started talking to me.
Without provocation. I wasn’t listening. Had never hoped to know their flora
thoughts. Never dreamt of their tongues thick with bark. Never once did I strokea tree the way I stroke a cat. When the first tree said why I said why don’t you know?
Then a rabbit stopped me in my tracks to mourn the clover days of Spring. The
snowy path no comparison to the gentle morning blossoms. She told me that
April was too far away for her to believe she would still be alive. Some hungry
fox or curious child or sterile machine would be her undoing. She ran back into
Winter who whispered her name, which I have forgotten. I have not forgotten
my children’s leafy faces waiting for their mother to arrive.

About Our Author

 

Beth Gordon is a poet, mother and grandmother currently living in
Asheville, NC. She is the author of several books including The Water Cycle
(Variant Literature) and How to Keep Things Alive (Split Rock Press). Beth
is Managing Editor of Feral: A Journal of Poetry and Art, Assistant Editor
of Animal Heart Press, and Grandma of Femme Salve Books. Twitter,
Bluesky, and Instagram @bethgordonpoet.

New Release Announcement Ray Ball

Louisiana Literature Press is proud to announce the publication of Ray Ball’s poetry collection, Trinities.

The book is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Trinities

[m]align[ancy]

you are pyrolysis
all char & coke
& vermillion

I [trace] the vascular
structure of stone fruits[’]
pits stained cinnabar

you dream acres
straw & switchgrass
oil shale lines

the cross ties
[I could wish]
a desolate ochre

we are soot &
tarry [,] smoke[:]
a toxic preserve

About Our Author

 Originally from Oklahoma, Ray Ball currently lives on
the land of the Dena’ina, where she works as a Professor of
European and World History at the University of Alaska
Anchorage. She is the author of two history books and
two chapbooks of poetry. Her poetry and fiction have
appeared in numerous literary journals, including Black
Fork Review, Free State Review, Glass , and Waccamaw . Ray
has received multiple nominations for Pushcart and been
a Best of the Net finalist. She is senior editor at Coffin Bell
and assistant editor at Juke Joint . Ray also serves on the
board of directors of the Alaska Humanities Forum.

New Release Announcement Vivian Shipley

Louisiana Literature Press is proud to announce the publication of Vivian Shipley’s poetry collection, Hindsight: 2020.

The book is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Hindsight: 2020

Turkeys

I hope none of them hold
memory of past Thanksgivings
and pity me because I can’t
flock with my family due to
a government travel ban.
Motorcycle gang swagger,
curving necks machine gun
cluck and gabble. I’m not
armed! Feathers polished
to walnut, russet, gray,
one flies at me. Then four
others surround my legs,
bobbing heads at my feet
as if daring me to break
their circle. No exit plan, I
have enough sense to keep
my hands by my thighs.
Will they believe me if
I tell them I am vegan?

About Our Author

Connecticut State University Distinguished Professor Emeritus,
Vivian Shipley was awarded a 2020-21 CT Office of the Arts Poetry
Fellowship, won the 2020-21 Poet Hunt from The MacGuffin
and was the Artist’s Choice for Rattle’s October 2020 Ekphrastic
Challenge. Nominated for the Pulitzer Prize, her 12th book, An
Archaeology of Days (Negative Capability Press, 2019) was
named the 2020-21 Paterson Poetry Prize Finalist and the 2020
Housatonic Book Prize for Poetry Finalist. The Poet (Louisiana
Literature Press, SLU) and Perennial (Negative Capability Press)
were published in 2015. All of Your Messages Have Been Erased,
(Louisiana Literature Press, SLU, 2010) won the 2011 Paterson
Award for Sustained Literary Achievement, NEPC’s Sheila Motton
Book Award , and CT Press Club’s Prize for Best Creative Writing.
Her sixth chapbook is Greatest Hits: 1974-2010 (Pudding House
Press, Youngstown, Ohio, 2010). She has received the Library of
Congress’s Connecticut Lifetime Achievement Award for Service to
the Literary Community and a Connecticut Book Award for Poetry
two times. She won the 2018-19 Steve Kowit Prize for Poetry from
San Diego Arts & Entertainment Guild and the Hackney Literary
Award for Poetry. Other poetry awards for individual poems include
the Lucille Medwick Prize from the Poetry Society of America, the
Robert Frost Foundation Poetry Prize, the Ann Stanford Poetry
Prize from the University of Southern California, the Marble
Faun Poetry Prize from the William Faulkner Society, the Daniel
Varoujan Prize from the New England Poetry Club and the Hart
Crane Prize from Kent State. Raised in Kentucky, a member of the
University of Kentucky Hall of Distinguished Alumni, the highest
award the university can bestow on an alumnus, she has a PhD
from Vanderbilt University and lives in North Haven, Connecticut
with her husband, Ed Harris.

Vivianshipley.net

New Release Announcement Katie Manning

Louisiana Literature Press is proud to announce the publication of Katie Manning’s poetry chapbook, How To Play: Poems Inspired by Games.

The chapbook is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From How To Play

Cheating at Monopoly

                       for Jon

Do you remember when we got married
during a game against your dad?
I gave you a dollar for a dowry.

You gave me everything:
Park Place, two railroads,
a handful of houses…

Our Scottie dog
lost to the car in less than an hour,
but after a lifetime of

bank errors and beauty pageants,
our game is the only one
I remember.

About Our Author

Katie Manning is the founding editor-in-chief of Whale Road Review
and a professor of writing at Point Loma Nazarene University in
San Diego. She is the author of Tasty Other, which won the 2016
Main Street Rag Poetry Book Award, and her fifth chapbook,
28,065 Nights, is available from River Glass Books.  Her poems
have appeared in december, The Lascaux Review, New Letters, Poet Lore,
THRUSH, Verse Daily,  and many other venues. Find her online
at  www.katiemanningpoet.com.

New Release Announcement E. Oliver

Louisiana Literature Press is proud to announce the publication of E. Oliver’s poetry chapbook, Homing Pigeon.

The chapbook is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Homing Pigeon

She gets these things
straight from God:
I’m not sure
from which God
(she’s had a few)
but I know that her God
always speaks back,
whispering blessings from the garden,
tapping her on the shoulder—
on the top of the head—
like a brownie in the kitchen
or an elf in a shoe,
like the ones she used to draw
when I was a child, trapped in bed
with nightmares of a God
who didn’t speak
(and who still doesn’t).

About Our Author

E. Oliver (she/her) is a queer poet and short fiction author
based in Southern California. Her most recent work can be
found in publications by Columbia Journal, The Stonecoast
Review
, and Capsule Stories. Her debut collection is slated
for release with Nightingale & Sparrow Press in 2022.

New Release Announcement Cindy King

Louisiana Literature Press is proud to announce the publication of Cindy King’s poetry chapbook, Lesser Birds of Paradise.

The chapbook is currently available for purchase through our press store (Please remember to specify title and author when submitting payment via PayPal.). The book will also be listed on Amazon.com in the near future.

From Lesser Birds of Paradise

Corpus

When you finish burning, what’s left
sends a black thread of smoke
through fresh ash like a hand
waving the last of us away.
You didn’t ask to return;
if you did, God never answered,
passing your request to some minor deity,
some lesser bird of paradise.
Nonetheless, you’re here,
your body the shape of a milk snake,
whale shark, dust devil—
something that only looks dangerous.
Alive, we knew you as a closed door,
the sound of crushed gravel, a truck
backing down the drive. For how long
did I mistake you for night,
a dog’s bark, an owl?
Now, we’ve packed up cold cuts,
hung dress clothes, and didn’t sing.
We drink whisky in the backyard,
though we’d rather sleep.
But still, here you are, failed storm,
waterspout, empty threat that’s not quite done with us.

About Our Author

Cindy King’s most recent publications include poems in The Sun ,
Callaloo , North American Review , Prairie Schooner , Gettysburg Review ,
Cincinnati Review , and elsewhere. You can hear her online on
American Weekend  and The Slowdown , productions of National Public
Radio. She is the author of a chapbook, Easy Street  (Dancing Girl
Press, 2021) and Zoonotic  (forthcoming from Tinderbox Editions).
She currently lives in Utah, where she is an assistant professor of
creative writing at Dixie State University and editor of The Southern Quill.